Sabrina Carpenter’s ‘Feather’ Video Sparks Controversy and Investigation Links to NYC Mayor Eric Adams

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Support act, Sabrina Carpenter performs ahead of US singer songwriter Taylor Swift during the first night of the The Eras Tour in Australia at the Melbourne Cricket Ground in Melbourne, Australia, 16 February 2024. Taylor Swift's Eras Tour has descended on Melbourne, with the pop megastar expected to perform in front of the biggest crowds of her career so far.
Photo: JOEL CARRETT/EPA-EFE / Shutterstock

Sabrina Carpenter is no stranger to controversy, and her 2022 music video for “Feather” has recently resurfaced in headlines for reasons beyond its artistic merit. The video, which features a violent narrative filmed in a Brooklyn Catholic church, led to the dismissal of Monsignor Jamie Gigantiello, who allowed Carpenter to use the church as a filming location. Now, theories have emerged suggesting that the fallout from the video may have connections to the indictment of New York City Mayor Eric Adams.

During a performance at Madison Square Garden on Sunday night, Carpenter addressed the swirling speculation, humorously asking the crowd, “Damn, what now? Should we talk about how I got the mayor indicted, or…” Her remark was met with a mix of laughter and intrigue, illustrating the heightened interest surrounding both her work and the ongoing investigation.

According to reports from the New York Post, federal investigators issued a subpoena to the church related to its connections with Gigantiello and Adams’ former chief of staff, Frank Carone. This inquiry appears to have ties to Carpenter’s “Feather” video, which has amassed nearly 100 million views on YouTube. Allegations of corruption involving the church and the controversial video have prompted federal scrutiny, although church officials have remained tight-lipped about any potential links between Carpenter’s work and the investigation.

When asked about the ongoing review, representatives from the Diocese of Brooklyn provided a diplomatic response, stating, “It would be inappropriate to comment further on that review, which is still ongoing. The Diocese is fully committed to cooperating with law enforcement in all investigations, including conduct at individual parishes or involving any priest.”

The controversy surrounding “Feather” dates back to its release in late October 2022. Following the video’s debut, the Diocese of Brooklyn expressed its disapproval, describing the video as “violent and sexually provocative.” In response to the backlash, the diocese took measures to re-bless the church and reprimanded Gigantiello for permitting the shoot.

In an exclusive interview with Variety following the uproar, Carpenter defended her artistic choices, claiming she had obtained permission to film at the church. She cheekily remarked, “Jesus was a carpenter,” a statement that she later printed on a T-shirt she wore during her performances at Coachella in April. This playful nod not only served as a lighthearted rebuttal but also highlighted her connection to the subject matter in an unconventional way.

The interplay between Carpenter’s artistic endeavors and broader societal issues has made her a focal point in both the entertainment industry and political discourse. As the investigation into the church’s dealings continues, the implications of her video on local politics have drawn significant attention.

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The speculation surrounding Carpenter’s influence on the political landscape raises questions about the intersections of art, media, and accountability. As public figures like Mayor Adams navigate scrutiny from various angles, Carpenter’s lighthearted acknowledgment of the situation adds a layer of complexity to her public persona.

The unexpected connections formed through the “Feather” video illustrate how cultural artifacts can inadvertently impact political narratives. In an age where celebrity influence and social media intertwine, the repercussions of a single artistic endeavor can ripple through different sectors of society.

As Carpenter continues to perform and engage with her audience, her ability to navigate controversy while maintaining a sense of humor about the situation underscores her resilience. Whether the investigation yields significant outcomes or remains a footnote in the saga of local politics, Carpenter’s role in this narrative is a testament to the unpredictable nature of fame in the modern era.

While the broader implications of this investigation remain to be seen, one thing is clear: Sabrina Carpenter’s “Feather” video has sparked discussions that extend far beyond the realm of entertainment. As the story unfolds, it will be interesting to see how these developments influence both her career and the political landscape in New York City.

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